"Confessions of an English Opium-Eater" by Thomas De Quincey

Estas memorias sobre la adicción provocaron un gran revuelo en la época por su crudo relato de los efectos de la droga sobre la mente humana. Una obra pionera para diversas corrientes como el romanticismo o el psicoanálisis.

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In 1821 one of the most authoritative and eloquent accounts of drug addiction in English history was published anonymously in The London Magazine. Thomas De Quincey’s Confessions of an English Opium-Eater describes the author’s dependence on laudanum, an alcoholic solution containing opium, and its effects on his physical and mental states.


De Quincey wrote the autobiographical Confessions in the backroom of a London pub, where he was hiding from debt collectors. The text, of around one-hundred pages, was sent off to the magazine in a rush; stains on the paper were later revealed to be coffee, and not opium as popularly believed! Confessions was initially published in two instalments. It was an instant hit, and a book version appeared the following year. De Quincey begins the book by stating his intentions:

“I trust that it will prove, not merely an interesting record, but, in a considerable degree, useful and instructive. In that hope it is, that I have drawn it up: and that must be my apology for breaking through that delicate and honourable reserve, which, for the most part, restrains us from the public exposure of our own errors and infirmities.”

Confío en que, vista la aplicación que le doy, será no sólo un relato interesante sino también útil e instructivo en grado considerable. Con esa esperanza lo he redactado y esa será mi disculpa por romper la reserva delicada y honorable que, por lo general, nos impide mostrar en público los propios errores y debilidades.


In the following section, entitled “Pleasures of Opium”, the author explains why he got addicted in the first place. At the time, laudanum was widely prescribed for a range of minor illnesses, from coughs to cramps to diarrhoea. De Quincey revealed just how prolific its recreational use was: mill workers, poets, and politicians all depended on it.
De Quincey provides his own backstory: the son of a successful Manchester merchant who died when he was young, he ran away from school and spent time destitute in London. He returned home and went to Oxford University. It was here, in 1804, that De Quincey used laudanum for the first time, to relievetoothache.

“I took it: — and in an hour, oh! Heavens! what a revulsion! what an upheaving, from its lowest depths, of the inner spirit! what an apocalypse of the world within me!”

Lo tomé, y, una hora más tarde, ¡oh cielos!, ¡qué cambio tan repentino!, ¡cómo se elevó, desde las más hondas simas, el espíritu interior!, ¡qué apocalipsis del mundo dentro de mí!.


De Quincey, who had soon dropped out of university too, suffered terrible stomach aches which led to increased doses and addiction to laudanum. He claims that his emotional state and “philosophical” character made him particularly prone to the drug. He compares opium favourably to alcohol, saying the former brought clarity and stimulated his mind — at least, at first.

“Oh! just, subtle, and mighty opium! that to the hearts of poor and rich alike, for the wounds that will never heal, and for ‘the pangs that tempt the spirit to rebel,’ bringest an assuaging balm; eloquent opium! that with thy potent rhetoric stealest away the purposes of wrath; and to the guilty man, for one night givest back the hopes of his youth, and hands washed pure of blood…”

¡Oh justo, sutil y poderoso opio! que a los corazones de ricos y pobres, a las heridas que no cierran y a «los tormentos que tientan al espíritu con la rebelión» traes un bálsamo que apacigua: opio elocuente que con tu fuerte retórica deshaces las victorias de la ira; que durante una noche devuelves al culpable las esperanzas de la juventud y le lavas la sangre de las manos...


In the following section, “The Pains of Opium”, De Quincey recounts its awful effects. Opium leaves one physically immobile, he admits. His most alarming passages, however, are those describing his drug-induced “waking dreams”. At a time when the British Empire was at the pinnacle of its power, the author suffered nightmares mixing up terrifying fantastical images of “the Orient”.

“The unimaginable horror which these dreams of oriental imagery, and mythological tortures, impressed upon me… I was stared at, hooted at, grinned at, chattered at, by monkeys, by paroquets, by cockatoos… I was buried, for a thousand years, in stone coffins, with mummies and sphinxes, in narrow chambers at the heart of eternal pyramids.”

El horror inconcebible que me inspiran esos sueños de imaginería oriental, esas torturas mitológicas... Monos, papagayos, cacatúas me miraban fijamente parloteando, gruñendo, chillando... Fui sepultado durante mil años en féretros de piedra, junto a momias y esfinges, en las cámaras estrechas que cierran en su corazón las negras pirámides.


De Quincey ends Confessions by suggesting he has overcome his addiction. In fact, he remained dependent on laudanum for the rest of his life. While Confessions is subjective and parts of it are probably invented, the social implications of the text are profound. It immediately provoked debate on the causes of opiate use, dependence and withdrawal techniques, topics that remain relevant today. The book also gave rise to countless journalistic and literary accounts that explore recreational drug use or addiction in a variety of ways.

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